DAILYSESSION

By TimeOut NewYork

On a hot, sticky night in 1988, the three 19-year-olds who made up De La Soul were getting nervous. The trio was about to play its first-ever gig, at an Irving Plaza dance party called Payday, and the main act—Stetsasonic, Tommy Boy Records’ big draw—hadn’t shown up. But even as the band waited in the wings, its troupe of dancers clutching giant cue cards with lyrics written on them—De La Soul knew it was onto something special. “I remember that night clearly,” MC Posdnuos (Kelvin Mercer to his mom) says today. “Being nervous and like, Wow, is this gonna go over well? But then we look into the crowd, and D.M.C. [of Run-D.M.C.] is in the front row! It was just amazing.” [Read More]

By Ben Detrick – The Village Voice

With his pink wardrobe, adoption of retro video-game character Sonic the Hedgehog as a spirit animal, and languid verses, Charles Hamilton was a newcomer built to thrive in a rap environment that has learned to tolerate a splash of DayGlo whimsy. The 21-year-old was cute and contempo and sensitive, but retained enough Harlem arrogance to escape being ostracized as a total pussy. After signing with Interscope Records in the summer of 2008, Hamilton spent the next year exuberantly building a reputation as an underdog smartass: He released several mixtapes, blogged with regularity, Twittered 50-some times a day, and reveled in the real-time furor he was able to create as a hip-hop fameball. [Read More]

By Julie Shapiro – The Villager

Bar owners seeking licenses will once again face tougher restrictions under a bill passed by the state Legislature this summer. 

The bill strengthens the 500-foot rule, which applies to bars and clubs if there are three or more existing liquor licenses nearby. The new legislation was prompted by a court ruling last November, which weakened the 500-foot rule and gave bar owners more leeway in neighborhoods that are densely packed with bars. [Read More]

By Ben Sisario – NY Times

A few months ago a peculiar item called “Favorite Recorded Scream” began to trickle into New York City record stores. Pressed on 12-inch vinyl in an edition of 500, it has little on its red cover except a list of 74 songs, each linked to a Manhattan record shop. [Read More]

By Deborah Sontag – NY Times

AS the peacock-blue Cadillac with the gold trim and fur lining spun on a giant turntable in the Stax Museum of American Soul Music here, Al Bell, the final owner of the late, great record label, chuckled. Decades before 50 Cent with his customized Rolls-Royce and Akon with his tricked-out Lamborghini, there was Isaac Hayeswith this pimped-out ride, an over-the-top gift from Stax to its over-the-top star, who wore slave chains like emancipatory bling across his bare, buff chest. [Read More]

By Jon Pareles – NY Times

Les Paul, the virtuoso guitarist and inventor whose solid-body electric guitar and recording studio innovations changed the course of 20th-century popular music, died Thursday in White Plains, N.Y. . He was 94.

The cause was complications of pneumonia, the Gibson Guitar Corporation and his family announced. [Read More]

By Roberta Smith – NY Times

With their first public artwork in Manhattan, which went up at the northwest corner of Houston Street and the Bowery on July 17, the Brazilian brothers Otavio and Gustavo Pandolfo, who call themselves Os Gêmeos, bring graffiti art to its Rococo phase. Which is to say that their fantastic, epic mural, on a concrete wall about 17 feet high and about 51 feet long, is light and frothy, a dream of happiness with an underlying chord of melancholy. And everything in it is exquisitely fine-tuned and detailed, a dazzlement of effortless technique that sustains long bouts of close looking. It will remain up until March. [Read More]

By Josh Chamberlain – Village Voice

In 2001, longtime hardcore reggae fan Hidetsugo Haji faced a dilemma. He wanted to be a part of the “real thing,” but he lived in Japan, which lacked some basic pieces: a ghetto, for example, and the everyday struggles that come with such blatant economic disparity, not to mention the extraordinary opportunity to look such inequality in the face and overcome it. But thanks to dancehall reggae’s vibrant cassette-tape circuit, buoyed by live dancehall sessions and soundclashes between famous sound systems like Stone Love, Bass Odyssey, and Killamanjaro, he knew where to go. [Read More]

By Leo Standora – Daily News

ABoston Universitygrad student was ordered to pay four record labels $675,000 Friday for illegally downloading and sharing songs on the Internet – but he’s not singing the blues.

“I’m disappointed, but I’m thankful it wasn’t millions,” saidJoel Tenenbaum, a 25-year-old doctoral student in physics. “To me it sends a message of ‘We considered your side with some legitimacy.'”

If the verdict stands after a planned appeal, Tenenbaum said he’ll file for bankruptcy to cut his losses.
[Read More]