DAILYSESSION

Image courtesy of Jorge Fabel Pabon

By DJWork.com

The Tools or War Crotona Park Jams are a wall to wall Hip Hop legend-fest of epic proportions. And being something of a record collector, Biz Markie is a regular at these events. But this year, it wasn’t so much his ridiculous collection of rarities that caught people’s eyes, but the turntables he played them on. No, it’s not Photoshop — those really are 7? Technics decks. Allow me to explain.

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By Pioneer

Pioneer is set to enter the professional audio market with the launch of its flagship club sound system. Drawing on Pioneer’s rich heritage in sound reproduction, deep understanding of the club industry, and close collaboration with Gary Stewart Audio (GSA) and Powersoft, this exciting arrival promises to make waves in Ibiza this season.

Pioneer and sub-brand TAD’s expert sound engineers have been creating high-quality audio for many decades and, with Pioneer DJ’s unrivalled expertise in the pro-DJ market, the move into club sound systems is a natural progression.

To create the ultimate club sound system, Pioneer partnered with the legendary Gary Stewart of Gary Stewart Audio (GSA), whose sound systems have roused clubbers in the world’s most iconic venues, including Singapore’s Zouk and Club Vertigo in Costa Rica. The team partnered with Powersoft to provide high-performance amps that maximised the potential of the system.

Marta Robowsky, Manager at Gary Stewart Audio, explains: “We wanted to partner with a manufacturer who shared our vision of reproducing the best sound for the club environment. The technological synergy between Pioneer and Gary Stewart Audio will provide the ultimate nightclub sound system.”

Pioneer’s Alex Barrand, the sound engineer behind the Ministry of Sound London’s award-winning sound system upgrade in 2008, oversaw the development process. He explains: “We didn’t just want to enter the market; we wanted to be the best in the market. So we gathered the dream team: Pioneer’s pro-Audio R&D expertise combined with GSA and Powersoft’s club system credentials. You have to hear it to believe it.”  [Read More]

Brought to you by 101 AppareL
by Wax Poetics

“I’ve always felt music has a much larger voice than just the words of a song,” says DJ and re-edit specialist Danny Krivit. “Like in a movie, the way a great soundtrack moment lifts the meaning of what is being said, I feel like music at its best speaks louder than words, deeply touching your soul and striking emotions. I especially love the musicianship and arrangements of ’70s soul and disco. Again, it speaks to you with a depth. When I started out, most good DJs played records that talked to you and altogether took you on a journey. Hope you enjoy this little journey.”

Danny Krivit is about as New York as they come. Growing up in NYC’s Greenwich Village in the 1960s, Krivit was the son of a jazz singer mother, and his father was Chet Baker’s manager. He was a boyhood friend of Nile Rogers, and he had the Mothers of Invention living just down the hall. At a very early age, he got to meeti a cross section of musical legends like Janis Joplin, Jimi Hendrix, the Rolling Stones, Charles Mingus, John Lennon, and Yoko Ono. His upstairs neighbor, the vice-president of Polydor Records, introduced him to James Brown, who gave Danny his first white-label promos—”Get on the Good Foot” by JB and “Think” by Lynn Collins.

Earlier that same year, in 1971, Danny had started DJing at his father’s club, the Ninth Circle, and over the years played at most every New York club worth mentioning, including the Paradise Garage. His early re-edit, “Love Is the Message (Edit By Mr K),” along with hundreds of others, helped to secure his title as the godfather of the current re-edit movement. When Danny is not touring the world, he’s also one third of the famed NYC party Body & Soul—and is now celebrating ten years of his own party, the 718 Sessions.

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By VinylFanatics

The developer of the first 3D printed vinyl record has taken her experiments a step further by laser-cutting wooden discs into playable records.

Ever get the feeling that MP3?s sound a bit wooden? Not satisfied with the synthetic properties of polyvinyl chloride and want a warmer, more organic sound? Amanda Ghassaei may have created just what you’re looking for. The software engineer turned hardwood etcher has created the first ever playable wooden record, using a 120-watt Epilog Legend EXT laser cutter to carve grooves that are up to ten times the width of those on a standard vinyl into maple and plywood discs. [Read More]

By amandaghassaei.com

In order to explore the current limits of 3D printing technology, I’ve created a technique for converting digital audio files into 3D-printable, 33rpm records and printed a few prototypes that play on ordinary turntables. Though the audio quality is low -the records have a sampling rate of 11kHz (a quarter of typical mp3 audio) and 5-6 bit resolution (less than one thousandth of typical 16 bit resolution)- the audio output is still easily recognizable. These records were printed on an Objet Connex500 resin printer to a precision of 600dpi with 16 micron z axis resolution. The 3D modeling in this project was far too complex for traditional drafting-style CAD techniques, so I wrote an program to do this conversion automatically. It works by importing raw audio data, performing some calculations to generate the geometry of a 12″ record, and eventually exporting this geometry straight to a 3D printable file format. Most of the heavy lifting is done by Processing, here’s a basic overview of my Processing algorithm: [Read More]

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